Posts Tagged : João Carvalho

Quinta do Cardo, Organic Wines

Text João Pedro de Carvalho | Translation Jani Dunne

Beira Interior, inland province in the centre of Portugal, has a winegrowing history dating back to the Romans. This region has about 39,537 acres of vineyards, and offers a wide range of varieties, with particular reference to white varieties Síria, Fonte Cal, Malvasia and Arinto, and to the red ones, Touriga Nacional, Touriga Franca and Tinta Roriz. The wines in this region are under the mountain’s influence, which is between 1300 and 2460 feet high, almost entirely covered in granitic soil, the rest being mostly schist.

Quinta do Cardo belongs to Companhia das Quintas Group and is near a small inland town called Figueira de Castelo Rodrigo, Guarda district, in the north of Portugal. From its foundation in the beginning of the 20th century until 1988, it was owned by a local family whose surname was Maia, and who devoted their time to breeding cattle and making cheese; wine production was a minor business. The name ‘Quinta do Cardo’ is inspired by the wide areas of thistle (the milk variety) growing in the property, which were used in the cheese manufacture. In a total amount of 444.78 acres of land, 170.5 of them host vines 2460 feet from the ground; the rest is a large reserve of cork trees and aboriginal forest.

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Quinta do Cardo Síria 2014 – Photo by João Pedro de Carvalho | All Rights Reserved

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Quinta do Cardo Bruto Touriga Nacional 2010 – Photo by João Pedro de Carvalho | All Rights Reserved

The 2014 harvest sets the date when the range of organic wines in Quinta do Carmo was released. The complete 170.5 acres are now organic. The new Quinta do Cardo Siria 2014 comes from this harvest and has, in a way, been bearing the standard for white wines in the district. It’s a far-famed wine, mostly owed to the unique characteristics it usually features. The label also makes a difference, and we must say that both the new label and the wine feature many beautiful details. A refreshing wine, mineral (flint), of a floral perfume; it feels tense and sturdy, lemon, lime, apple, and lovely freshness. On the mouth, it’s slightly oily in the beginning, but quickly fades into a delicious flavour, coming to a finish of predominantly mineral austerity.

On the other hand, I would also like to highlight the first sparkling wine launched by Quinta do Cardo, Quinta do Cardo Bruto Touriga Nacional 2010, entitled to age in the bottle for 36 months; it saw its first degorgement in July 2014. Strong aromas of strawberry and raspberry, a light floral, and biscuit in a delicate and beautiful atmosphere. A beautiful performance on the mouth, the fruit determining the rhythm with the presence of good acidity, it reveals pleasant dryness in a persistent finish.

Ramos Pinto – Duas Quintas, 25 years of History

Text João Pedro de Carvalho | Translation Jani Dunne

The Ramos Pinto company was founded in 1880 by Adriano Ramos Pinto, who was later joined by his brother, António. In a house where innovation and an entrepreneurial mindset always walked hand-in-hand, the name José Ramos Pinto Rosa stands out for having organised an important project to select the five recommended varieties for Douro – both Port and table wine – together with his nephew João Nicolau de Almeida. Seeking inspiration in his father, Fernando Nicolau de Almeida, the creator of Barca Velha, João Nicolau de Almeida, quickly learned that part of the secret would be to put grapes grown at high-altitudes (more acidity) together with more mature grapes from lower vines. This way, Ervamoira grapes (492 ft high) were combined with Bons Ares (2000 ft high); the name would, of course, be Duas Quintas (“Two Quintas“), and after a few trials it was released for the first time using the 1990 vintage.

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House of Ramos Pinto – Photo by Ramos Pinto | All Rights Reserved

Duas Quintas was an innovation and a challenge in its time, having mixed the more modern wine processing techniques with the traditional presses; a project planned from the start, and once again new to the region, as well as a driver for the emergence of a “new Douro”. In 1991, Duas Quintas Reserva emerged, followed by the Duas Quintas white in 1992. With 12 wines, we slowly gauged the 25 years of history that João Nicolau de Almeida’s expertise translated into wines and words.

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Ervamoira Vines – Photo by João Pedro de Carvalho | All Rights Reserved

In a brief introduction of the wines I was mostly touched by, this tasting began with a magnificent Duas Quintas white 2000 presented in a beautiful narrow Rhone bottle, decanted and served immediately, leaving us all flabbergasted. A combination of freshness and hints of crayons, herbal tea, and flowers, where the fruit alternately combines with freshness, and with the syrupy touch of jelly. It’s the kind of wine that makes you feel like drinking it as well as storing a few bottles away at home. Beside it stood Duas Quintas white 2014, displaying all its youthful energy; perhaps irreverent in a way it predicts an also high-calibre future.

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Decanter white – Photo by João Pedro de Carvalho | All Rights Reserved

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Decanter red – Photo by João Pedro de Carvalho | All Rights Reserved

We got started with the reds, first of all the pioneer, Duas Quintas 1990. A very handsome wine, full of life, and in which the fruit seems to rejoice with all the fresh strawberry and raspberry, a lot of energy with very polite third-level aromas, well-rounded corners, but highly glamorous, and showing an envy-worthy presence on the mouth. A classic of the range, just like the eloquent Duas Quintas Reserva 1991, the first Reserva to be able to raise the quality level much higher than what was available at the time in that region.

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Duas Quintas 1990 – Photo by João Pedro de Carvalho | All Rights Reserved

Two reds out of the exceptionally high-quality harvest, 1994, were brought out to be tasted. Comparing the Duas Quintas 1994 to the 1990, the first proved better and showed more presence of fruit, some vegetable and very balanced throughout. However, Duas Quintas Reserva 1994 presented a classic profile of a great Douro red, noble and of strong character, very complex, combining the freshness of the fruit with a touch of milk toffee, a delight.

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The wines – Photo by João Pedro de Carvalho | All Rights Reserved

The tasting was to end with the wines of the new millennium. Just like the white, so did Duas Quintas Reserva 2000 show a colossal path to stardom; dense, cohesive, and with a lot of freshness, everything at its best, until it’s tamed over time. The last wine, Duas Quintas 2013 is quite tempting, filled with beautifully perfumed aromas, very young and full of energy, within the character and profile that have been steering the wines on this amazing journey that started in 1990.

Contacts
Av. Ramos Pinto, 380
4400-266 Vila Nova de Gaia
Portugal
Tel: (+351) 223 707 000
Fax: (+351) 223 775 099
E-mail: ramospinto@ramospinto.pt
Website: www.ramospinto.pt

Refreshing news from Quinta do Portal

Text João Pedro de Carvalho | Translation Jani Dunne

The project for Quinta do Portal originated in Douro in the early 1990s, and has its roots in a centenary property belonging to the family of proprietor João Branco. They have always produced Port Wine, and the project later included a boutique winery, where Paulo Coutinho has been working on oenology since 1994; he is the highest authority when it comes to their wines. Besides Port Wine, DOC Douro and Moscatel wines also emerge, supported by the four Quintas (Portal, Confradeiro, Muros and Abelheira), all of them in Cima-Corgo, composing about 250 acres of vines, 200 to 550 metres high.

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Wine Cellar – Photo by Nelson Garrido | All Rights Reserved

Quinta do Portal isn’t just about wines; adding to all of the above, the incredible cellar designed by prestigious architect Siza Vieira was one of the first signature cellars in Portugal. Casa das Pipas came along to complement it and is now an excellent spot for wine tourism, widely awarded inside and outside Portugal.

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Casa das Pipas – Photo Provided by Quinta do Portall | All Rights Reserved

Returning to the wine subject, and to the latest presentation by Paulo Coutinho, this time I would like to highlight wines of fresher aromas; more daring, and let’s say more appetising this time of year. The tasting unfolded in a quite relaxed way. Much to our surprise, a few wines from earlier harvests were also put to the taste, to help work out how easily Paulo Coutinho’s creations age. By the way, the evolution was obvious in every case. Even Mural white 2004 was caught in a moment of surprisingly good shape, having definitely gone under everyone’s radar back when it was on the shelves.


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Mural white 2004 – Photo by João Pedro de Carvalho | All Rights Reserved



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Quinta do Portal Verdelho/Sauvignon Blanc 2014 – Photo by João Pedro de Carvalho | All Rights Reserved


The first white to make an appearance was Quinta do Portal Verdelho/Sauvignon Blanc 2014, which came from the experimental plots in Quinta da Abelheira. Its charming fresh and fruity aromas form a graceful combination of the two varieties. The result is a very perfumed white, with clean aromas, highlighting the fruits (citrus, tropical, and orchard), which work well with fresh vegetables, and a light feeling of flint. In the mouth, the palate senses beautiful freshness, it’s rich, marking, and begins with very juicy fruit, however carrying a long dry finish.

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Quinta do Portal Moscatel Galego 2014 – Photo by João Pedro de Carvalho | All Rights Reserved

In the meantime, Quinta do Portal Moscatel Galego 2014 waited in the glass, exuberant enough to draw our attention. In the foreground, a floral note evoked roses, followed by ripe fruit, revealing plenty of orange. Deep freshness wrapped the entire blend, perhaps a little linear, but flawlessly escorting a broad range of starters as they made their way to the table.

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Quinta do Portal Rosé 2014 – Photo by João Pedro de Carvalho | All Rights Reserved

Lastly, Quinta do Portal Rosé 2014, a blend of Tinta Roriz, Touriga and Touriga Nacional, in which fruits of the forest are predominant, albeit with notes of pomegranate. Somewhere in-between, a light note of peppermint in a blend that shows beautiful freshness, also felt in the mouth, where it becomes most expressive, even more than in the nose. I enjoy the dry finish, with a pinch of strawberry and blackcurrant lingering in the palate, all in a wine made for a table surrounded by friends.

Contacts
EN 323 Celeirós – 5060-909 Sabrosa
(Estrada Pinhão-Sabrosa)
Tel: (+351) 259 937 000
Mobile: (+351) 969 519 021
E-mail: reservas@quintadoportal.pt
Website: www.quintadoportal.com

António Madeira Branco as good as ever

Text João Pedro de Carvalho | Translation Jani Dunne

Sometimes, going back in time becomes essential to prolonging something long forgotten; in this case, resorting to the past for methods and ideas left behind due to what was thought to be innovative. Nowadays, suffocated by all the commotion generated by modern society, we risk stating that innovation is nothing more than a visit to the past. A sign of modern times, and of those who eventually took the right turnings, and proved everyone it is indeed possible, and it is indeed worth it.

Besides family roots, producer António Madeira, of Portuguese descent, also finds a passion in Dão. In Dão region, he devoted his body and soul to the creation of his wines, which as I said are exactly a trip back to the old days; they make you want to rescue Dão from a glorious past, which has little or nothing to do with the current situation. Therefore, António had to roll up his sleeves and work on the vines; he learned the vineyard’s variations, and the grounds they live on. He mostly learned from the region itself. As he learned, he also taught and demonstrated – granted the healthy stubbornness found in someone who believes in what they do and what they want – to successfully rescue from oblivion that, which others don’t care for any more. The hundred-year-old vines he salvaged are now his greatest asset; furthermore, they are, in essence, the greatest asset Dão has to offer.

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António Madeira Branco 2013 – Photo by João Pedro de Carvalho | All Rights Reserved

Those vines he taught how to relive harbour the essence of the lot, from which varieties of odd names once swallowed by time shine through. In shape and content, these are the vines that gave birth to the wines we now call the classics, and which built a region’s image. Given the fact that these achievements are only accomplished rather by skill than by will, António is unsurprisingly a virtuoso, seeing he suddenly became famous after releasing only three wines. His wines speak for themselves, but they speak for the Dão region above all, and also for that special little spot he chose, right next to Serra da Estrela.

In total, he controls 5 old vines, aged 50 to 120; they live in granite grounds, 500 or 600 metres (1640 or 1970 ft) high. That field blend grows more than 20 indigenous varieties. Sometimes, the white varieties mix with the red, some of which face extinction; in this case, the mix is basically 75% Syria, Fernão Pires and Bical. Interestingly, Encruzado, currently the ruling variety, is only part of the blend, as it always was; however, in the past, it was used on its own as part of a trial. This is thus his first white, made from the 2013 vintage, which resulted in little more than 600 bottles, a product of his precise work and of the ancient vines which produce very little. António calls it a terroir wine. I couldn’t possibly agree more, seeing as the wine reveals such a distinct character, that it could only be generated in that place. António Madeira white 2013 is as delicate as it is deep, dense, and has a beautiful mineral austerity ruling the background. The fruit appears clean, pure, pretty and perky, scented and with a few bouquets of flowers from nearby brooms. It’s the kind of wine that seeks attention, or even prior decanting in order to experience its full potential: a strong austere palate marked by the granite, very good acidity cushioned by the fruit. You feel the soul and the vigour; you can feel that this wine has many years ahead of it; altogether, a great Dão wine. Perfect to accompany noble fish of delicate flesh, or to simply enjoy with a side of good friends. Thank you, António Madeira.

Contacts
António Madeira
Tel: (+33) 680633420
Email: ajbmadeira@gmail.com
blog “A palheira do Ti Zé Bicadas

Vale dos Ares is a Consensual Alvarinho

Text João Pedro de Carvalho | Translation Jani Dunne

I went back to my origins, to the land where I was born (Vila Viçosa), and this is where I have been spending the last few days, enjoying a sort of mini-holiday. I have used this time to rendez-vous with and revisit old friends, as well as to once again see my hometown I missed so much. Therefore, it’s expected, and also natural, that the best of these moments take place at the table, where besides cuisine, we also share wine and a good mood.

At the meal I attended last evening, many were the wines that joined us at the table. It was curious to see that with almost all of these wines, as they were served, they were welcomed with the most varied comments. Here, as anywhere else, there is a moment when you only drink and chat, when the wine in question seems to be forgotten, even mistakenly, and misses the discussion shared between those present. That wine suits the taste of all those present, in a generalised consensus; it pleased them so much, nobody even mentioned it. We usually say “he who doesn’t speak agrees”, hence the silence.

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Vale dos Ares Alvarinho 2014 – Photo by João Pedro de Carvalho | All Rights Reserved

One of those wines was Vale dos Ares Alvarinho 2014, from the region of Vinho Verde, produced by Miguel Queimado (MQ Vinhos) and oenology by Gabriela Albuquerque. This Alvarinho is not easily tempted; it does not exceed in exoticism, nor does it lack assertiveness; it lives somewhere in-between. But living in-between doesn’t mean it lacks character; not at all. It’s elegant, knows what it wants, proves serious and convincing, wrapped in a beautiful fresh fragrance. Elegant and harmonious, refreshing and inviting, it improves after some time in the glass, making a refreshing mouth tasting marked by the fruit, balance and steady structure, although flexible, because the wine seems to mould to our palate, much due to the bâtonnage it underwent. Nothing to add, of course, except for what somebody at the table said: Is there any more of this one?

Contacts
MQ Vinhos, Unipessoal Lda
Quinta do Mato, sn, Lugar do Mato
4950-740 Sá-MNC
Tel: (+351) 251 531 775
Telemóvel: (+351) 934 459 171
Email: info@mqvinhos.pt
Site: mqvinhos

In Pêra Manca Kingdom – Cartuxa

Text João Pedro de Carvalho | Translation Jani Dunne

After nearly 15 years, I return to Adega da Cartuxa; on the other side of the wall, Mosteiro da Cartuxa has been housing Carthusian monks since 1598. Adega da Cartuxa belongs to Companhia de Jesus, and was nationalised after the liberal revolution in the 19th Century, and acquired in 1869 by José Maria Eugénio de Almeida. Only in 1950 would the cellar be modernised by Vasco Maria Eugénio de Almeida, count of Villalva, and was included in the foundation’s assets in 1975. From then onwards, wine started being produced as soon as the new vineyard was planted, between 1982 and 1985, in a completely different perspective – linked to Universidade de Évora from the beginning, through a team, at the time lead by Engineer Colaço do Rosário, to whom Alentejo wines owe a lot. Harvests from the end of the 80s were very important, such as Cartuxa white 1987, aged in wood, and so was the year of 1990, when the first Pêra Manca red emerged.

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Adega da Cartuxa © Blend All About Wine, Lda

The reason why I have drawn away from Cartuxa wines has to do with the obvious changes to the profile the wines suffered when a new team of oenologists came in. Simultaneously, labels were also being modified, and I consequently grew completely apart from the wines, which I no longer felt the same passion for; I once did, and mostly because of Pêra Manca 1995, the wine that marked me the most in my career as an oenophile. After so long, it was time to reconnect with the wine reality currently set in Adega da Cartuxa. My expectations weren’t blown out of proportion; the wines had abandoned that confusing phase after the changes made in Oenology. Surely, a few vintages were necessary to shape up the right profile by making necessary adjustments.

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Barrels © Blend All About Wine, Lda

Every wine I tasted proved to be at an unusually high level; attention, however, despite every different sample, was only set on the Cartuxa wines, which made the grand finale with the 50-year celebration wines, the final apotheosis was achieved with Pêra Manca. With regard to whites, Cartuxa 2013 results from a lot comprising Arinto and Antão Vaz. It stands out for its lovely freshness and purity spawning from the ripe fruit (citrus, pear, pineapple) in a somewhat tense blend that flows deliciously and sternly through the mouth; everything was just right, with a critical acidity taking over the finish. In the next glass, Pêra Manca white 2012 was already displaying very good exuberance and a little rounding; a beautiful evolution thanks to a good bit of time in the glass. Harmonious and engaging, it fills the mouth with flavour and class; enough freshness to embrace the entire blend with balance, leaving us no loose ends. The wood work is now completely blended in; a new profile that quite pleased me in this absolutely gorgeous white.

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The whites © Blend All About Wine, Lda

The big surprise was saved until the end of the tasting; a wine created together with others by Vasco Maria Eugénio de Almeida, to celebrate the 50 years of the Eugénio de Almeida Foundation. The lot – composed by Arinto, Assario and Roupeiro varieties grown in old vines – in the Cartuxa 50 Years white 2012 fermented completely for 25 days. If we look at this company’s historic wines, they always appeared as outrageous to an inattentive customer; this time, its shades of orange are what raise your curiosity. The wine has this fantastic complexity: a distinct bouquet of aromas of very clean ripe fruit, orange, lemon, aromatic herbs, anise; very captivating and different from all the rest. Somewhere in-between, a generous amount of freshness also joins the party.

With the table composed at a high level, it was time to change the tone of the tasting, and reds took over the stage. The conversation started with oenologist Pedro Baptista presenting Cartuxa 2012; just like the white, its attention is turned to the quality and purity of the ripe fruit, evoking the more classic profile this area of Alentejo got us accustomed to. Still full of vigour, full of spices and a pinch of vegetable, it replicates the nose tasting in the mouth tasting; ample and daring to tease our senses, very lively, and with unpolished bold tannins at the end of the mouth. The jump was taken towards Cartuxa Reserva 2012 appearing more serious, as expected, although maintaining a classic tune, adding the energy from the Alicante Bouschet to Aragonez’s generosity; something of a sweet tooth with notes of liquorish, ripe fruit in a refreshing blend, although proving more polished and more engaging. Rich in flavour in the palate, it appears on a higher level than its prior, a change felt in every aspect.

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The Reds © Blend All About Wine, Lda

The climax of the tasting of the reds was reached with the presentation of Cartuxa 50 Years red 2011, in which Alicante Bouschet shines together with the Syrah. This wine, special in every way, appears dense, dark, mysterious, and making a fantastic slow revealing of its complexity in the glass. The plump and juicy fruit emerges fresh, well outlined; a delight to the senses, bursting with flavour in the palate along with some herbs, cocoa, and such. A real giant with years of life ahead of it, delighting me, and checking all my toughest boxes. Fantastic. In the glass next to that was Adega da Cartuxa’s height of splendour, born for the first time in 1990; Pêra Manca red 2010. In no way comparable to the previous wine, it stood on the opposite corner of the arena, seeing as what’s important here is the finesse and harmony of its components coming together in a tune of pure class, with freshness and high calibre fruit. Let’s say it’s the kind of wine you drink and enjoy deeply; you don’t get tired of it, you always feel like having another glass, and another, until the bottle’s empty. It’s a great wine on every level; it found itself back on the hall of fame and is now on that top level the brand had made me used to.

Contacts
Páteo de São Miguel
Apartado 2001
7001-901 Évora
Évora-Portugal
Tel: (+351) 266 748 300
Tel: (+ 351) 266 705 149
E-mail: geral@fea.pt
Website: www.cartuxa.pt

Alentejo is a great region

Text João Pedro de Carvalho | Translation Jani Dunne

This text is but a very personal opinion about the land and region where I was born, Alentejo. I love walking around there; I love being carried through the scents and flavours that branded my memory from a tender age. It’s the motherland calling, the family calling, whom I was pulled away from when life had other plans for me; it is now so far, I cannot hold it whenever I please.

My destination was the same as that of many other generations born in Alentejo, the latter a poor land which has always thrived on the blood, sweat and tears of its people. That same old fate: moving to the city in search of a better life. In my case, I came to Lisbon to study, 125 miles away from my hometown, Vila Viçosa, and stayed. I have always made sure I live near fields; the fields that whether green or gold continue to feed and to season every generation.

That very need also generated an aroma-influenced style of cooking, which collected the best of every influence left behind by each civilisation passing through. This style, so rich and unique that it still delights so many people, was the same that fed those, who in difficult times had to make do with very little; and those who, although unaware, slowly composed the cuisine, some times on par with a luxurious Conventual Confectionary growing simultaneously taking root in the long line of religious orders settled in the many convents of the region.

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Alentejo – Photo by João Pedro de Carvalho | All Rights Reserved

But wine shall be the subject of our interest. It was brought by the Roman culture in clay pots, their own technique still used in our days. Although the technique for designing the pots was forgotten in time, that does not stop producers from North to South of Portugal from searching for said pots. We will very soon be seeing that “trend”, which is not new at all, emerge in the market from Vinho Verde to Douro, Bairrada, and Lisbon.

As for more modern times, Alentejo wine has conquered the Portuguese market in its own merit when it comes to sales. They needed only a decade, if so much, to shift from what was at the time an uncomfortable position to a permanent spot in the top sellers. Quality has always been present in the wines since early in the day; to confirm that, one need only travel back a few decades, passing through a few of the most important references in oenology from that region, and why not, even nation-wide. Anyone who can point a finger at an entire region to accuse its wines of lacking freshness/acidity, and of being unable to age in a bottle with dignity, simply have no idea what they are talking about. From the most recent articles about visits to Alentejo-based producers to the more classical examples of iconic wines that made it in great shape until today. And the list is as long as the years of harvests, even leaving the 90s out – because that would make it much longer – I will cite a few earlier examples such as José de Sousa Tinto Velho (Old Red) 1940 or even 1961 and 1986, Mouchão 1954 or 1963, Quinta do Carmo Garrafeira 1985 or 1986, Tapada Chaves 1971 or the 1986, Adega de Portalegre 1986, etc.

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Alentejo – Photo by João Pedro de Carvalho | All Rights Reserved

Then came the wine revolution, leaving the past behind. In the following years, a part of Alentejo wine was held hostage to experimentation and adaptation by people who were making wine for the first time, and unable to fully guarantee their ability to properly outline a new profile for the region. Only now is that revolution beginning to reap its benefits alongside others, which meanwhile acquired the title of the region’s true classics. This rebirth, of sorts, of an entire region together with a new batch of fresh wines, which often counteract with elegance, and with a more austere profile ensuring a healthy longevity, although maintaining the charismatic Alentejo touch until the end. Just as the styles and varieties, aromas and flavours spread, so do the many sub-regions, or even the grounds where variety allows us to find schist, clay, sand or limestone. Adding gastronomy and the people, my beloved Alentejo has all it takes to remain one of the best regions in Portugal.

A bottle of Verdelho to celebrate the summer

Text João Pedro de Carvalho | Translation Jani Dunne

I am celebrating the beginning of the summer with this white; a pure Verdelho from Madeira Island, produced by Paixão do Vinho. Upon a visit to Adega de São Vicente (Adega = Cellar), I had the chance to taste it while it was still very young, yet already proving very promising; it had this austerity from the volcanic grounds as well as all the freshness in the Atlantic, which is so close to the vineyards. This wasn’t the first Verdelho Filipe Santos released into the market, but after a few breaks between harvests, this new sample came out with a new label.

This week, the heat came with a bang; the rain quickly evaporated into more or less 40ºC, and the changes in what we eat and drink round this time of year were quite obvious. The reds are put on the shelf and an incredible twirl of whites and rosés starts to flow, perhaps some bubbly once in a while. All are served very cold, and with light food because nobody likes to stand in front of a hot cooker for very long.

I had already put the said wine in the fridge, but before I started cooking I couldn’t resist a taste, just to make sure I had the right tone for the food. My memory suggested a mythical Arroz de Lapas (rice with limpets) I once tasted in Madeira. I was, however, limited to local produce, so I went for a typical meal in the Algarve, Arroz de Lingueirão (rice with solen). While the solen cooked, and until its shells cracked open, I took a few sips from that taster glass. I like to drink while I cook, because getting better acquainted with the wine helps me balance out the food and create the best harmony possible.

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Arroz de Lingueirão in oficinadaspapitas.blogs.sapo.pt

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Primeira Paixão Verdelho 2014 – Photo by João Pedro de Carvalho | All Rights Reserved

The steps are quite basic: after removing the solen from the shells, clean it, slice it into two and put it aside. In the meantime, bring the onion, garlic, bay-leaf and olive-oil to a light fry. Once it’s au point, add the chopped tomato and tomato pulp, let it simmer and add some water to the boiled solen. The tomato is an important touch, adding freshness to the dish along with the pulp, which will turn into sauce. This food should ideally be taken with a wine with enough structure and acidity for it. Then, you prepare the rice, and just a moment before it’s ready, add the solen and garnish with chopped coriander.

This Verdelho carries a light saline feel and some very well outlined but not over-exuberant fruit (citrus and passion fruit). This results in a white with a bite, of very good freshness, and implying excellent bottle ageing. It’s remarkable how it bonds with the many ways in which fish or seafood can be cooked; the acidity in it reinvigorates the palate with every sip. By the way, that little bit of coriander in the end is a little magic touch that enhances the connection between the wine and the food, sending it into another dimension of senses and pleasures. This is such a good way to start the summer.

Contacts
Via Rápida Cota 200 posto Repsol Norte Jardim Botanico
9060-056 Santa Maria Maior Funchal
Tel:  (+351) 291 010 110
Fax: (+351) 291010110
E-mail: info@paixaodovinho.com
Website: www.paixaodovinho.com

Afectus, by Quinta de Curvos

Text João Pedro de Carvalho | Translation Jani Dunne

This farm holds more than four centuries of history, going back to the 1600s. Many fables and stories tell of its birth, many of which told by its own surroundings – from the old palace to the caves, including the lake, gardens and vineyards. It amounts up to about 40 acres in total. The walls around the farm refreshed its soul in 1976, when it was acquired by the current owners. To the day, it remains a 100% family business, and is already in the second generation, ensuring the project’s continuity.

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Quinta de Curvos – Photo by M&A Creative | All Rights Reserved

The vineyards are already following fair trade guidelines, and spread out over 66 acres across four pieces of land in Forjães, Ponte de Lima and Barcelos. The Atlantic and the granite-rich grounds brand the wine’s profile. We were able to confirm this when tasting three samples of the Afectus range. This range of wines has been inspired by the affection and passion for the land, and its labels’ image represents the century-old camellias in Quinta de Curvos.

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Afectus Loureiro 2014 – Photo by M&A Creative | All Rights Reserved

Afectus Loureiro 2014 (Vinho Verde) caused the least impact out of the three wines. It was refreshing and stood out for the fruit (red apple and red peach), and although not too exuberant, it combines aromas of linden flower, bay leaf and flint in the background. With a well-balanced acidity in the tasting, the fruit displayed good presence in an average finish.

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Afectus Alvarinho 2014 – Photo by M&A Creative | All Rights Reserved

Although the other two wines are Vinho Verde, Afectus Alvarinho 2014 reminds you of a Regional Minho. More austere than the former, its aromas are more outlined and have stronger presence, and the freshness imposes its notes of lychee, peach, lemon and lemon balm. Somewhat closed, it implies that more bottled time would only benefit. In the mouth, the fruit has good presence, the lychee highlighted on a par with a very ripe and juicy peach; the background is refreshing and flavourful with a very faint mineral austerity.

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Afectus Rosé 2014 – Photo by M&A Creative | All Rights Reserved

This Rosé was a joyful and refreshing surprise that poured into my glass; to it belong the region’s characteristic varieties: Vinhão and Espadeiro. The wine pulls you in with its freshness; with the way the plump and juicy fruit (strawberry and cherry) pours flavour while the background proves dry and mineral. All of the above appears wrapped in a thin layer of smoke, in a wine that has all it takes to shine in the nearing heat peak. By the way, try it with grilled meat: the result is amazing!

Alfeu, a grandon’s tribute to his grandfather

Text João Pedro de Carvalho | Translation Jani Dunne

Thanks to Grandpa Alfeu and his dedication to vineyards and to the field, his grandson João Amado, founder of Amado Wines, felt inspired to begin a new adventure: producing his own wine. He created a brand that is, most of all, a tribute to a man in the field, in love with the earth, inseparable from his hat – now featured on the labels.

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Alfeu Wines – Photo by M&A Creative | All Rights Reserved

I first heard about this project last year, around the time when Festival do Vinho do Douro Superior (Douro Superior Wine Festival) takes place, in Vila Nova de Foz Coa, and is aimed entirely at producers from the Douro Superior sub-region. This event is one of the few where it is possible to discover new talents, meaning producers who, in away, have never been heard of, nor was a word ever written about their work. That is why these events are organised; to show us they welcome us with open arms and are happy to present their work.

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Alfeu white 2013 – Photo by M&A Creative | All Rights Reserved

This was how I came to hear about the wines; last year, when João Amado wished to pay tribute to his grandfather, and whose new harvests have very recently been tasted. Joana Maçanita oversees Oenology (see Maçanita Douro article). Both Alfeu white 2013 and Alfeu red 2012 have displayed a strong character – given the region – and a little boldness, which goes down so well on me.

Alfeu white 2013, comprising Viosinho and Malvasia Fina in a beautiful 12.5% alcohol, presents a cohesive body, with a lot of fruit alongside aromatic herbs, a touch of flowers and a refreshing background. The palate is also distinguished for its ripe fruit and jam, the wine is slightly dry and memorable for its strong persistence.

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Alfeu red 2012 – Photo by M&A Creative | All Rights Reserved

Alfeu red 2012 contains Touriga Nacional and Tinta Roriz, the former in the lead. Cohesive, with a lot of ripe fruit surrounded by dark chocolate, and with a twirl of the glass, some flowers emerge, suggesting Touriga Nacional. A very faint austerity is present from the beginning in a serious body with good energy. A firm wine based on a solid structure. From the first sip, it shows vigour and a pinch of austerity that comes from the cheekier tannins.  The fruit bursts with flavour along with cocoa; it ends somewhat dry, and begging for a lamb roast, or for some more time in the cellar.

In the producer’s cellar, two more reds still age; two new releases composed of 100% Touriga Nacional, and one Reserve. In the tasting, they proved still a little green and not very ready to face the world. They are, however, as serious as the rest of the range, and are very centred on the fruit, but revealing a leap in quality.

Contacts
Amado Wines
Quinta do Meio, Relva
6430-075 Longroiva, Mêda
E-Mail: geral@amadowines.com
Website: www.amadowines.com